Anthony Braxton - B X0 NO 47A

Artist: Anthony Braxton
Album: B X0 NO 47A

Jazz

2001

Rating: 4.67

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Review by Ian Coats

Anthony Braxton's B X0 NO 47A is a daring and experimental album that pushes the boundaries of jazz and improvisation. The album features Braxton on alto saxophone and a range of other instruments, including flute, clarinet, and percussion.

The tracks on B X0 NO 47A are complex and challenging, with intricate rhythms, dissonant harmonies, and unexpected shifts in tempo and mood. Braxton's playing is virtuosic and unpredictable, constantly exploring new sonic territories and pushing the limits of what is possible on his instruments.

Despite its avant-garde leanings, the album is also deeply rooted in jazz tradition, with nods to bebop, swing, and free jazz scattered throughout. Braxton's collaborators on the album, including drummer Gerry Hemingway and pianist Marilyn Crispell, are equally skilled at navigating these different styles and bringing their own unique voices to the music.

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Tracks

Track	Duration	Preview
B-X0 NO-47A	19:40
The Light On The Dalta	10:06
Simple Like	9:26

Video

Anthony Braxton - B-X° / NO-I-47ബ (Composition 6g) (1969) FULL ALBUM

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Catalog Numbers

302 061 212-2
529.315
BYG-14
33 T, GET 315
YX-8005

Labels

Fuel 2000
BYG Records
BYG Records, Get Back

Listen online

online luisteren
lyssna på nätet
kuunnella verkossa
ouvir online
lytte på nettet
online anhören
écouter en ligne
ascolta in linea
escuchar en línea

Formats

CD
Album
Reissue
Vinyl
LP
Promo
Gate-Fold Sleeve
Gatefold
Stereo
180 Gram

Companies

Role	Company
Licensed From	Hitfile.com Aps
Phonographic Copyright (p)	Hitfile.com Aps
Licensed To	Fuel 2000 Records
Distributed By	Universal Music & Video Distribution
Recorded At	Studio Saravah
Printed By	Imprimerie De Saint-Michel
Record Company	Toho Records Co., Ltd.
Manufactured By	Dischi Ricordi S.p.A.

Credits

Role	Credit
Alto Saxophone	Anthony Braxton
Soprano Saxophone	Anthony Braxton
Clarinet	Anthony Braxton
Flute	Anthony Braxton
Performer	Anthony Braxton
Chimes	Anthony Braxton
Drums	Steve McCall
Goblet Drum	Steve McCall
Percussion	Steve McCall
Producer	Jean Georgakarakos, Jean-Luc Young
Trumpet	Leo Smith
Flugelhorn	Leo Smith
Horns	Leo Smith
Siren	Leo Smith
Wood Block	Leo Smith
Violin	Leroy Jenkins
Viola	Leroy Jenkins
Harmonica [Hohner	Leroy Jenkins
Mouth Organ]	Leroy Jenkins
Harmonica	Leroy Jenkins
Contrabass Clarinet	Anthony Braxton
Mouth Organ	Leroy Jenkins
Organ	Leroy Jenkins
Bass Clarinet	Anthony Braxton
Electronics	Anthony Braxton
Sleeve Notes	Anthony Braxton
Arranged By	Anthony Braxton (tracks: B), Leo Smith (tracks: A1, A2)
Engineer	Daniel Valencien
Photography By	Jacques Bisceglia, Philippe Gras
Instruments	Anthony Braxton
Other	Anthony Braxton

Notes

Recorded September 10, 1969 at Studio Saravah, Paris.
The full album title is given in graphical notation on the cover, B-X0 NO-47A is a simplification in text form.
This is a CD reissue of the original BYG Recordings LP that was released in 1970 under the Actual catalog number of Actuel #15. This CD reissue has the catalog number of Actuel #6.
The full LP title is given in graphical notation on the cover, B-X0 NO-47A is a simplification in text form.
This version:
on the front cover a caption 'mono/stereo' appears.
Slightly different front cover from Anthony Braxton - B-X0 NO-47A.
Released in a gatefold cover.
Characteristics of this version:
• MONO/STEREO printed next to catalog number on front cover, top right
• SACEM printed on center labels to right of spindle hole
Released in a gatefold jacket. The full LP title is given in graphical notation on the cover, B-X0 NO-47A is a simplification in text form.
70s reissue considering the SACEM box and original issue with BIEM mention.
comes with A4 insert inside gatefold.
comes with lp-sized insert.

Barcodes

Matrix / Runout (Runout etching side A): 529315 A BYG-5.A
Matrix / Runout (Runout etching side B): BYG 529315 B1
Rights Society: BIEM
Rights Society: SACEM SACD SDRM SGDL

About Anthony Braxton

Album herunterladen Anthony Braxton - B X0 NO 47A

Born 4 June 1945, Chicago, Illinois, USA. Influential experimental composer and saxophonist. Member of the AACM where he was influenced by mentors and and friends , and , among others. In 1969 Braxton recorded , the first full-length album for unaccompanied saxophone. To date, Braxton has composed over 350 compositions, many titled with diagrams rather than words. Braxton plays the sopranino, soprano, C-melody, F mezzo-soprano, E-flat alto, baritone, bass, and contrabass saxophones; the E-flat, B-flat, and contrabass clarinets; and the piano. He is John Spencer Camp Professor of Music, Emeritus, at Wesleyan University in Middletown, CT. In 1994, Braxton was awarded a MacArthur Foundation "genius grant". In 2013, he was named a 2014 National Endowment for the Arts Jazz Master. Father of .

Real Name

Anthony Delano Braxton

Name Vars

A. Braxton
AB
Anthony B.
Antony Braxton
B
Braxton

Summary by Ian Coats

B X0 NO 47A is a challenging but rewarding listen for fans of experimental jazz and improvisation. It showcases Braxton's immense talent and creativity as a musician and composer, and offers a glimpse into the cutting edge of contemporary jazz.

Comments

alexandrakomarskaya

2023-06-23

i don't understand any of this, but i will spend the rest of my life trying.

contactceeab74c51

2023-06-23

10:03 me conmueve el alma

tanyamasonblog

2023-06-22

I just discovered anthony braxton while hanging out on youtube. I then did some research on him. In my opinion, he is certainly the biggest crook in the history of jazz. It's totally amazing that he could have such a career in the music world and have such academic positions. I mean, what is going on with the listeners, the media and the jazz community that they want us to believe that this guy is a genius? Everything about him is a problem: his instrumental technique is close to zero, his music itself is modern when it sounds like a beginner's band, his gibberish discourse about his music means absolutely nothing, but also his interviews in which he comes across as a pretentious old bigot. Please, retire and let the real artists play.